Editorial Reviews. Review. Praise for Blow-Up and Other Stories: “[Cortazar] is a unique storyteller. He can induce the kind of chilling unease that strikes like a. Praise. Praise for Blow-Up and Other Stories: “[Cortazar] is a unique storyteller. He can induce the kind of chilling unease that strikes like a sound in the night.”. Blow-Up And Other Stories by Julio Cortazar, , available at Book Depository with free delivery worldwide.
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Blow-Up And Other Stories by Julio Cortazar – Penguin Books Australia
Amazon Giveaway allows you to run promotional giveaways in order to create buzz, reward your audience, and attract new followers and customers. A man reading a mystery finds out too late that he is the murderer’s victim Anxiety-filled from cover to cover although, for some reason, I suspect that may have something to do with the fact that I read an English translation. Blow-Up — Completely different from the Antonioni film, but also fantastic.
The sentences are what I fell in love with first, but Cortazar is preoccupied with other notions. Will the story be invalid, if it was told in a different tense? All seemingly quite great.
We’re featuring millions of their reader ratings on our book pages to help you find your new favourite book. Other editions – View all Blow-Up: It’s truly disturbing and not easy to forget.
She flicks at it, it curls into a ball, and she easily washes it down with running water. A day-to-day reality, but with a spine chilling twists Open Preview See a Problem? Silly, I know otjer treating a short story collection as a literary cocktail party. The best stories here make for a memorable collection.
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Back cover copy A young girl spends her summer vacation in a country house where a tiger roams Most of his stories can be easily classified as ‘uncanny’, because of his way of encompassing his characters in a surreal mystery, of which they think as reality.
It was the only one approaching the genius of Here are stories of the prismatic-elastic-imaginative-labyrinthine type. As in many of Cortazar’s stories, it revolves around the idea that the protagonist simultaneously inhabits two parallel realities, that beyond the “normal events” being described lies a far more terrible world ready to engulf the protagonist for instance, the obsidian knife of the Aztec executioner-priest.
You can live without thinking. This recurring question of identity simmers across the lives of almost all his protagonists – a guy who vomits rabbits, sisters posing as statues beside railroads for the weary travelers, a widowed maid appearing as the mother of her employer’s guest, a reader who becomes the victim of the mystery novel he reads, a fiance who is haunted by ideas of ‘otherness’, and so on.
My favorite tale in Cortazar’s book is “The Night Face Up,” with its surprising and devastating ending. There is a mystery, a puzzle to anchor the story, as Michael witnesses a strange duo having an argument on the quai of Ile St Louis and as he tries to imagine what they are fighting about and what their lives are like Michael is guilty of making literature, of indulging in fabricated unrealities.
I’ve been starting a lot of story collections lately without yet finishing them, and this is another of those. I insist that these stories do not need to be weighed down by such concepts, that they should live alone at the level of the sentence, that they need to be freed from the constraints of expectation.
Another example is a story in which a young girl goes to live with distant relatives in their country house for a summer. The Stories of Eva Luna. You play the divine trumpet, buzzing your lips on the horn of plenty, the jazz of words, improvising, taking a look inside, your fantasy being the fun stuff, exciting, the way you take a certain vision, say the room in a house, and come up with a story where the room is taken over by a mysterious presence.
A lot of these stories were fairly pedestrian when compared to the experimentalism of 62 or even the previously mentioned title story.
Want to Read saving…. Refresh and try again. View all 12 comments. Thanks for telling us about the problem. Letter to a Young Lady in Paris is probably the funniest in a collection whose major tonality is dark and anxious.
Axolotls — in which the narrator identifies very closely with an exotic amphibian species on his trips to the zoo. Full of lines that were interesting in part because they were confusing, e. I had the same problem with this book that I’ve had with most of the short story collections I’ve read the last few years.
Like Borges, he operates in a territory where time and memory bleed in and out of each other, where reality flirts with the surreal, the magical and the menacing but is still grounded by the concrete, charmed details of everyday existence.
I assume it’s the marquesa’s fruitless generosity: Julio Cortazar is a dazzler. Through his exquisitely beautiful sentences what he offers is more than reality. It creeped me out then, and it still creeps me out. Antonioni and everyone else, correctly. Kindle Cloud Reader Read instantly in your browser. Continuity of Parks is something that I think every modern writer has tried at one point or another: It’s all left quite mysterious: Want to Read Currently Reading Read.
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