Les Chansons des Roses: V. Dirait-on official lyrics by Morten Lauridsen: Dirait- on Abandon entouré d’abandon, tendresse touchant aux tendresses. Morten Lauridsen’s lyrical settings of Rainer Maria Rilke’s Les roses have become part of mainstream choral repertory. Deftly crafted and elegant in their. Morten Lauridsen: Les Chansons des Roses, 5 songs for chorus – Play streams in full or download MP3 from Classical Archives (), the.
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Romantic Evening Sex All Themes. The movement, vaguely in C sharp minor, thus sounds very much in the overall tonal vein of the cycle.
Set to French poems of the German poet Rainer Maria Rilkethe five-song cycle for a cappella mixed chorus is a unified study in elegance, as are its poems and the roses they describe.
Lauridsen brilliantly emphasizes the cumulative quality of Dirait-on—which is filled with elaborate polyphony that flows by as naturally as a stream—by reserving the entry of the piano for this luminous finale. Se Per Havervi, Ddes. In the repeated middle section, an energetic interplay of soprano, alto, and tenor echo and expound upon each other over an extended bass.
Doubtless this disc also attests to Lauridsen’s superb ability to write for choral voices while creating those atmospheric sounds which bring a feeling of inner peace to even the most unwilling ear. His Latin sacred settings, such as the Lux Aeterna and motets, often reference Gregorian chant plus Medieval and Renaissance procedures while blending them within a freshly contemporary sound while other works such as the Madrigali and Cuatro Canciones are highly chromatic or atonal.
This page was last edited on 16 Decemberat The Complete Choral Cycles. In Dirait-on Lauridsen magically evokes the wistfulness of the chansons populaires immortalized by Edith Piaf.
Drinking Hanging Out In Love. The Racing Waterfall IV. Intercession in Late October. Introspection Late Night Partying. Lauridwen pairs of voices play off of each other throughout the setting, the briefest in the cycle and a study in contrasts.
Chansons des roses, Les
Veni, Sancte Spiritus V. His musical approaches are very diverse, ranging from direct to abstract in response to various characteristics subject matter, language, style, lauridesn, historical era, etc.
Les chanson des roses is a polyphonic delight that strategically delays the entry of the piano until the very end. His music has an overall lyricism and is tightly constructed around melodic and harmonic motifs.
Like the German poet, the American composer has tapped a profound source of inspiration by contemplating the evanescent beauty of a rose. Yet for all its musical intricacy, the work has a direct and powerful emotional impact—not the impact of a scream, but of an intimate whisper that cuts right through you.
Welcome to Hyperion Records, an independent British classical label devoted to presenting high-quality recordings of music of all styles and from all periods from the twelfth century to the twenty-first. The movement ends as it began, but its final chord overlaps with the piano introduction to the final movement, “Dirait-on” One would saythe only movement to use accompaniment. A Portrait of Composer Morten Lauridsen.
Luci Serene e Chiare VI. In a modern folk song style, first the women’s voices and then the men’s receive the melody; the largely unison setting betrays just how much Lauridsen conceived it as a song; indeed, it was later arranged for solo voice. Archived from the original on From a choir as good as Polyphony and wow, is it good in this piece! Over one million copies of his scores have been sold and his Dirait-on, O Magnum Mysterium and O Nata Lux have become the all-time best selling octavos distributed by the Theodore Presser Co.
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Their glorious sound and subtle interpretations do complete justice to Lauridsen’s scores, including the Mid-Winter SongsLes chansons des roses and the brand-new, rapturous Nocturnes, of which this disc is the premiere recording. The tunefulness of this movement helped to chanslns it one of the best-selling choral octavos of the late twentieth century.
Chansons des roses, Les
Lauridsen now divides his time between Los Angeles and his home in the San Lauriden Archipelago off the northern coast of Washington State. Morten Lauridsen accompanies at the piano on several works. Views Read Edit View history. Mid-Winter Songs  on poems by Robert Graves. The music, full of suspensions that do not resolve, is well-suited to a text chznsons asks unanswered questions; it moves inexorably to its quiet peak only mezzo-pianoa poignant nine-note chord to the words “Au contraire” On the contraryand subsides to the close.
A Winter Come on poems by Howard Moss. Their lines are interspersed with slow, mysterious homophonic lines that contrast greatly with the vigorous tempo that precedes and follows. The third setting, “De ton reve trop plein” Of your dream too fullreturns to the dance-like madrigal feel. Complete list s s s s. The piece concludes as it began — a hallmark of Lauridsen ‘s formal structures. The composer’s craftsmanship further leads to an amazing balance between the contemporary and the timeless.